- Stand By Me
- Change in my life
- Bohemian Rhapsodi
- For the longest time
- Get to the point
- He's gonna let you know
- Hush
- If there were no God
- Only Truth
- Rescue
- People Change
- Let there be love
- My Lord and My God
Sunday, February 22, 2009
A Cappella
Friday, February 6, 2009
Lineage II
To begin playing Lineage II, players create a character as their avatar in the game's medieval-style virtual world. Humans, Elves and Dark Elves start off in the Kingdom of Aden while Dwarves and Orcs start off in the Kingdom of Elmore. Players can choose from either fighter or mystic professions at the start, except for Dwarves and Kamael which are only able to select the fighter profession; this choice acts as an archetype for later profession options. Each race has its own set of classes, even if humans, elves and dark elves have a lot of classes that are very similar to their counterparts in the other two races.
As players kill non-player character (NPC) monsters, they accumulate experience points and skill points (SP). As experience points accumulate, the character's level increases, meaning various attributes of the character are augmented. Players purchase and then upgrade their character’s skills using SP. Players can play alone or as part of a group to fight monsters and complete quests for new skills, experience points, and items. Player versus player (PvP) is a significant portion of the game. The game provides many social, political, and economic aspects which are developed through the community and by the actions, in-game, of single players.Lineage II features siege warfare like the original. To make sure PvP stays under control, the design includes a Karma system that provides negative consequences for killing other players when they are not fighting back.
Lineage II Soundtrack
- Crossroad at Dawn
- Dance at the Festival
- Expedition March
- Forest Collin
- Island Village
- Knighting Ceremony
- Merchant Ship From the East
- Right Here Waiting
- Shepard's Flute
- The Call of Destiny
- Unicorn's Rest
Thursday, February 5, 2009
Sapardi Djoko Damono: Song of Poems
- Aku Ingin (I wish)
- Dalam Diriku (In Myself)
- Kartu Pos Bergambar Jembatan (Pictorial postcard of bridge)
- Jarak (Distance)
- Kuhentikan Hujan (I discontinued the rain)
- Ketika Jari-jarinya Terluka (When their fingers injured)
- Ketika Kau (When you are)
- Pada Suatu Hari Nanti (At the one particular day)
- Nokturno (Nocturno)
- Hutan (Forest)
- Metamorfosis (Metamorphosis)
- Di restoran (In the restaurant)
- Ketika Kau Tak Ada (When You are nothing)
- Hujan Bulan Juni (June rain)
- Akulah si telaga (I am the lake)
- Pada Suatu Pagi (At the one particular morning)
- Dalam Sakit (In pain)
- Hujan Dalam Komposisi (Rain in composition)
- Hujan, Jalak dan Daun jambu (Rain, starling, and leaf of fruit)
- Sehabis Hujan (Used up rain)
- Bagaimana Mungkin Kau Berkata (How can you say)
- Karena Kata (Because of word)
- Kepada Istriku (To my wife)
Father and Son
Father
It's not time to make a change,
Just relax, take it easy.
You're still young, that's your fault,
There's so much you have to know.
Find a girl, settle down,
If you want you can marry.
Look at me, I am old, but I'm happy.
I was once like you are now, and I know that it's not easy,
To be calm when you've found something going on.
But take your time, think a lot,
Why, think of everything you've got.
For you will still be here tomorrow, but your dreams may not.
Son
How can I try to explain, when I do he turns away again.
It's always been the same, same old story.
From the moment I could talk I was ordered to listen.
Now there's a way and I know that I have to go away.
I know I have to go.
Father
It's not time to make a change,
Just sit down, take it slowly.
You're still young, that's your fault,
There's so much you have to go through.
Find a girl, settle down,
if you want you can marry.
Look at me, I am old, but I'm happy.
(Son-- Away Away Away, I know I have to Make this decision alone - no)
Son
All the times that I cried, keeping all the things I knew inside,
It's hard, but it's harder to ignore it.
If they were right, I'd agree, but it's them They know not me.
Now there's a way and I know that I have to go away.
I know I have to go.
(Father-- Stay Stay Stay, Why must you go and make this decision alone?)
Here is Father and Son song with various singer.
Wednesday, February 4, 2009
Pachelbel's Canon D
The piece is particularly well known for its chord progression, and is played at weddings and included on classical music compilation CDs, along with other famous Baroque pieces such as Air on the G String by J. S. Bach (BWV 1068). It became very popular in the late 1970s through a famous recording by the Jean-François Paillard chamber orchestra. A non-original viola pizzicato part is also commonly added (in a string orchestra or quartet setting) when a harpsichord or organ player is not used to improvise harmonies over the bass line.
Here is various Canon D performance:
- Acoustic version
- Aria Celestina
- Berliner Philharmoniker
- Classic Guitar
- Secret version
- Rock version
- Rock Acapela version
- Remix version
- Other Remix
- Piano & Electric Guitar
- in Violin
- Hawaii Guitar
- Harpa & Flute
- Groove
- Grand Piano
- Gitar & Violin
- Flute & Piano
- Finaile- The Elegance of Pachebals
- Electric Guitar
- Depapepe
- Craig Owen & Greg Scot
- Kotaro Oshio
- Linda Gentille
- Locus Iste Sanctus
- Music Box
- Orgel version
- Other version
Tuesday, January 20, 2009
Romance Greatest Hits
The term romance (Spanish: romance/romanza, Italian: romanza, German: Romanze, French: romance, Russian: романс, Portuguese: romance) has a centuries-long history. Applied to narrative ballads in Spain, it came to be used by the 18th century for simple lyrical pieces not only for voice, but also for instruments alone. During the 18th and 19th centuries Russian composers developed the French variety of the romance as a sentimental category of Russian art song. "Ochi Chyornie" (Black Eyes) is a well-known example.
The Oxford Dictionary of Music[1] states that "generally it implies a specially personal or tender quality".
Georges Bizet's "Je crois entendre encore" from The Pearl Fishers (1863) is labelled a romance in the score.
As for instrumental romances, Mozart subtitled the second movement of his piano concerto no. 20 in D minor (K.466) "Romanze" and his Horn Concerto has a romanze and Rondo. Robert Schumann was particularly fond of the title for lyrical piano pieces.
Friday, January 16, 2009
Movies Greatest Hits
The Romantic Allure of Total Commitment in It’s a Wonderful Life
People make sense of their lives through the stories of their culture. What we “know” about the world is often not acquired first-hand, but comes to us from secondary sources. In this, the most mediated generation of all time, those stories tend to come from film. It is little wonder, then, that so many young people are putting off marriage. Simply look at the stories that they are most consistently told. Movies tell them that all the events leading up to the wedding are electrifying, full of intense emotional longing, heart fluttering, loss, redemption, and professions of undying love. But “I do” is romantic death.
In last week’s column, I compared the romance message of the vampire teen angst film, Twilight, with the cynical, immature, and anti-marriage message of the appalling Four Christmases. Twilight, I argued, is demonstrably better as a romance film because, while it contains all of the trappings of normal teen courting, it also illustrates that patience, waiting, and sexual restraint before marriage can be a fulfilling source of romance. Additionally, nothing wins a woman over quite like the willingness of her man to face death for her. But there is a holiday film that easily ups the ante in romantic wagers: a man who would certainly be willing to die for his love, but who, instead, chooses to live for her. After all, martyrdom is easy – you only have to die once. Lifetime commitment is harder – you have to be willing to die every day.
In 2006, in the category The Most Powerful Film of All Time, the American Film Institute awarded the number one slot to Frank Capra’s It’s A Wonderful Life. This 1946 release is rightfully a holiday classic, though its only connection to Christmas appears in the last part of the film. Normally lauded as a movie that affirms the value of every human life, it is also a compelling case study of the kind of marriage for which most of us long: a marriage marked by a deep, sacrificial love.